The next day, while talking to some friends, the issue of whipping was raised. Someone asked me, “Do more people seem to call you about buying a whip right after watching the whip at the last movie release?” The answer is always “yes”. Undoubtedly, the whips shown in the movies create or revive whip enthusiasts among the moviegoers. People who are eager to whip decide that the time has come for a new whip, while some who have never left the whip or have little interest in it now feel that they want to learn how to deal with it. Try with a whip. Therefore, films with whips mean increased whip sales among whip producers.
Unfortunately, although movies have occasionally helped increase interest in whipping, they do provide some impractical uses for whipping. One of them … swinging or climbing with a whip.
FLASHBACK: Indiana Jones moved along a seemingly endless pit while wrapping his pit over a wooden pole above his head.
Is it possible to do this? Certainly it can. Should it be done? Only if you need to completely escape from the exploding temple that is collapsing and caving around you. A whip can be used to shake, although any whip that prides itself on the whips it makes for a living, I also tell you that a whip to spin on precipices or rivers or buildings Not made. Built to the building to crack. If it is used for climbing or swinging, the whip is more likely to be damaged. Here are just three ways in which a whip can be damaged when swinging or climbing repeatedly:
1. Separate the handle and core.
2. Break strings, internal or external.
3. Stretching the strands, weakening their strength and creating gaps in the tissue.
A good bullfight is made in layers. I will not go into the details of making a whip, but a simple explanation of the components of the whip. The bullfight starts with the handle and core attached. On this part, there is usually a layer of yarn (woven) of threads, whether leather or nylon, of a predetermined length. Next, there is usually some kind of reinforcement that covers this part of the tissue. Another layer is attached to this part with a certain number of strands of a predetermined length and longer than the first layer of tissue. From here, depending on the desired thickness of the whip at the end of the work, another layer of reinforcement or texture can be added.
The internal components of the whip are essential in how the whip strikes and cracks. When it comes to cruise ships, one of the topics of interest is what is known as the transition zone or transition zone. This is the special section where the handle and the core of the whip meet. Some whip makers tighten the area by attaching each layer of the building, usually with a synthetic sinusoid or wax thread. Some lash manufacturers simply rely on the firmness of the tissue to hold it in place. When the whip breaks, this area receives a lot of stress. Also, if a whip is held in the hand while using the whip to swing or climb, it will be more stressful. If the whip is used to swing or climb, even to separate the handle from the core, the strength of this area can be greatly compromised.
Most of the damage that can be done to the whip is one or two strands that break due to excessive force on the whip. This can happen inside a whip. Which will probably never be known unless the whip is actually completely broken at that point. Or it may occur on the outer layer of the whip and be easily shown. This now creates an ugly whip.
The least damage I can imagine for a whip used to swing or climb is traction. I do not believe that a whip used to swing or climb will definitely break down and cannot be used for its intended purpose of cracking. However, I feel that when doing these activities, the strength of the wig is implicitly weakened and the life of the whip is shortened. When the whip is stretched significantly, it changes dynamically, both in terms of performance and aesthetics. Is it still cracking? Most likely, yes. However, there may be gaps between the individual strands of weaving. Again, this makes the whip look relatively ugly.
In movies, when a character spins from a whip, it is usually not a whip to use. Instead, it is a cable that is wrapped around it to make it look like a whip. The end of the handle usually has a type of connector or connector that attaches to the harness or belt that the actor is wearing. Even if there is no attachment, the whip used is still not likely to be a whip. When doing stunts and the strength of a cable from a whip, safety is the first priority.
Over and over again, customers ask me how much one of my lashes weighs. Immediately, I know where they are going with this. They want to know how much a whip can safely support in rotation or ascent. I always say that the whip is designed so that it can not be used. Of course, if you are facing a survival situation and the whip is the only thing you can do to climb a high wall or fence or climb a pit, anything is a fair game to save a life. Otherwise, grab the rope.