Damavand Iran Trekking Tours
Climbing itinerary to the biggest peak in Iran. This fantastic great mountain is one of the most easily accessible enormous 5670 meters above sea level peak in the world. A undetected prominent volcanic peak goal which is generally swiftly gaining popularity by ski touring journeying station. Mount Damavand is also the towering for ski touring in Iran and is a admired place for sport interest.

Mt Damavand Iran could be described as probably the quickest on earth that can trek. The original encampments Poolor would be only just two hours from Teheran’s IKA International Air port. In a simple timeframe plan you can possibly hike to the mountain summit and get a taste related with the natural beauties, sightseeing and landscapes of this amazing distinguished summit.

Trekking Tour Damavand
Mt. Damavand is a superb symmetrical cone volcano with a slim snowy summit. That appears to be Fuji Mountain in Japan. Mt. Damavand dormant volcano is placed about 80 kilometres North East of Tehran within the northern Iranian plateau. Damavand Mountain white-colored summit and its particular gorgeous ordinary fog up cap could be the most attractive sight of Iran mountains.

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Movie Review: Climber

Sender Films has long been at the forefront of making documentaries about climbers and mountaineering. They were originally responsible Reel Rock Movie Tour، قیام دره And Dawn Wall. All of this has had a profound effect on our climbing culture, the way we look at leaders in the climbing world, and our view of ourselves.

Climber Joins other movies in its collection. This iconic Canadian mountaineer profile, by Mark Andre Leclerc, reminds us of one of the young leading alpine soloists as he performs intense ascents.
Like Dawn Wall Or Free solo, The film examines not only the seriousness of this person, but also the strange elements of a climber. This bizarre theme covers the lifestyle of Marc Andre, who lives on a staircase. The trial phase covers his drug. And the obsession covers him with hard and very serious ascents alone, things that everyone is proud to complete with a partner. And finally covers the untimely death of the young …
This is a fascinating, funny and often scary movie. We will surely be transported to a different world, a world that is a return for the old climbers. Mark Andre does not post on social media, he has no fans or even a phone, except for some online forums. We saw an old adventurer doing things in a way that – at least in his mind – was very pure.

However, the psychology of Mark Andre in the film was a bit difficult. And maybe this is my age and experience in managing people, but there is a moment in the film where filmmakers can’t find the young climber. They do not know where he is. And he certainly does not pick up his phone. They are frustrated, and in some ways it is easier to get into the minds of those who manage a project than to the minds of someone in their early twenties who does not believe in social media or telephones …
And this is a weakness of the film. We think we know who Mark Andre is, but hardly. I’m not sure I’m as deeply into the minds of people as Tommy Caldwell or Alex Hannold in similar films. But I’m not sure it’s the filmmakers’ fault. Marc Andre was a difficult subject.
There is a piece of adventure documentary film that is a bit exaggerated with this type of film, and that is external interpretation. Filmmakers find respected members of a particular community and ask them to talk about the adventures of the documentary. Inevitably someone says who is this boy? They say what one does is a “pioneer” or “future of sports.” And then – like with Free solo– They talk about the danger that a person faces while completing their adventures.
To say that we do not know Mark Andre well enough in one paragraph is a bit of a contradiction, while in the next paragraph we say that there are many external interpretations of him. And that’s really at the heart of the difficulty of making a film about such a person. We want to know this person. We want to know their motives and who they are. But their motives and who they are are obscured by the fact that they are not entirely interested in our interests … something we are not accustomed to in the 21st century.
Apart from criticism, it is a good film. And the film is tough.
There was no dry eye in the theater when Mark Andre’s death was announced late in the film. No. Maybe we didn’t know him as well as we could. We wanted to get to know him better. We wanted to understand him and see his continued success in the mountains.
But now he is gone …
And in his death, we are left with something that always stays in the mountains when someone dies: a deep sense of grief. Grief of losing a special person. As well as grief for that person’s family and friends.
The documentary crew gave us an overview of this person’s life. And for that, I feel grateful. We all met someone who left us very soon. In many ways, ClimberThe film was a beautiful and thoughtful memorial for Mark Andre Leclerc …
– Jason D. Martin


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